[R-G] Valkyrie -- and Mississippi

Hunter Gray hunterbadbear at hunterbear.org
Sat Jan 3 13:56:13 MST 2009


NOTE BY HUNTER BEAR [JANUARY 3 2009]

The local weather around here -- Eastern Idaho -- has been, as it seems to be nationally, wild and rough. Yesterday afternoon saw us in the midst of rain and snow, along with unusually warm periods followed by a freezing temps, icy slush. When three members of our family, Josie [our youngest daughter] and her Cameron and visiting grandson/son Thomas [he to leave that very evening after an excellent visit] prepared to see Valkyrie -- focused on the last and the best prepared plot to assassinate Hitler -- they urged me to join them. When I sought to politely decline -- it was six years since I was actually in a movie theatre -- Josie, characteristically, pushed with intensity and her usual success. So I went and I'm quite glad I did.

It's a good, solid film -- not really, given the focus, enjoyable -- but fascinating. It won't satisfy those who see any Hollywood production as something to be viewed with inherent suspicion nor those who relish especially "arty arty" films, often those with psychiatric subtleties. My film tastes, which as I've previously noted, focus these days on HBO and IFC for the most part, are pretty catholic, diverse. I do make my measure of a flick on such matters as a reasonably worthwhile message [but not necessarily explicit], basic adherence to the primary historical/cultural currents, and good acting.

Valkyrie does well on all of those counts. It's a straight-forward, hard-hitting account with -- as was certainly the historical fact -- lots of violence. My personal awareness of the courageous effort in 1944 by some German officers and a few civilians of well-placed social status -- sickened from a number of perspectives by Hitler's irrationality and brutality --- has been mostly limited to my interest in Erwin Rommel and his career and his supportive position in this good Conspiracy. So I learned more about the careful organization of the effort, the plans for an immediate post-Hitler coup, and something of the interesting personalities involved.

Tom Cruise does an excellent job as a key participant in The Plan and the key action person -- in his case depicting Colonel Claus von Stauffenberg who, "to the manor born," achieved the status of genuine war hero but whose troubled conscience remained. Other acting is likewise well done.

In the end, as many of us are aware, the effort failed and Hitler extracted lethal revenge -- very pervasively. Within a few months, the Allied forces had closed on him and he took the route of suicide.

A few critics of Valkyrie have shot at it on the grounds that it seeks to excuse Germany's hideous conduct. That's twaddle. The horrors of Nazism are clearly set forth. When the film was being made in Germany, some Germans objected to it on the grounds that it opens old wounds. But most thoughtful folks would certainly agree that the more we all -- whoever we are -- know about these things, the better -- and the more improved our chances of avoiding those catastrophic socio-political -- and genocidal -- Horrors. Valkyrie is being widely shown in this country and one will hope it is in, say, Israel -- among many others.

A couple of personal reflections:

Most Americans have never lived in a totalitarian system -- and can obviously be thankful they haven't. The closest thing to this on these shores -- North America [north of Mexico] -- was old Mississippi, a police state complete with official orthodoxy, police power, eager vigilante support -- laced through and through with a numbing fear and a willingness on the part of most white people to "look away" from the endless atrocities. There were plenty of other parts of the South just as bad as Mississippi, but not pervasively so in the state-wide sense -- often because their states had a measure therein of outside-based Northern industry and thus some [relatively] "moderate" influences. 

Mississippi was a state-wide racist/segregationist complex.

I've kept up with Changing Mississippi and some other Southern settings as best I can. In time, I've met some of the old adversaries with whom I've become friends. See a few examples of this in some of my website writings, e.g. 
http://hunterbear.org/forces_and_faces_along_the_trail.htm

A fairly common phenomenon involves white Southerners who, like those contemporary Germans on Valkyrie, simply don't want to hear of The Troubles -- the Bad Old Days. This can be very true if they were adults during that grim epoch. But many younger white Southerners do [and I suspect many young Germans as well] -- often commenting to me that their elders refuse to discuss any of it. To them, I've said, "It was a terrible time, obviously for Blacks -- but also hard, in its own way, for most whites as well. Don't be too tough on your folks. Look ahead -- cut your own trail." Then I'll suggest some solid reading sources, such as Jim Silver's classic, Mississippi: The Closed Society -- along with some of the more thoughtful and personally grounded works by Movement writers.

There were a lot of outsiders who came into the South -- and certainly Mississippi -- after the shooting war of the 60s was basically over and things were fairly safe. While many of these were certainly more or less OK, there were two carpetbagger species for whom I've always had quiet contempt.

The first were those, best termed "pie-card artists," who came to rip-off the never very flush "Reconstruction" poverty programs.

The second species involved generally sectarian presumed leftists who had sat out the Movement safely in the North, coming into, say, Mississippi beginning in the early 70s. In an obvious effort to vicariously experience the Movement they'd missed, they prattled [and some still do] in shrill and sanctimonious terms. Sometimes they liked to "expose" a public official who allegedly once belonged to the white Citizens' Council. Aside from the fact that most of the old Mississippi establishment once belonged to the "White Councils", many of us felt and feel that that "exposure" is simply a pure waste of time.

In the end, Real Radicalism focuses on social justice -- now and forevermore. We can learn much from looking thoughtfully back -- but let's not be trapped by old spiderwebs.

Personally, I've come to appreciate principled reconciliation -- if and when social justice has, in the matter at hand, actually been essentially achieved. Desmond Tutu has set a fine example on that. 

Fight hard for justice -- always hard. But, in the last analysis, we can never -- much as our adversaries may -- forget that we, whatever our virtues and whatever our sins, ultimately have to live with one another.

Solidarity -

Hunter [Hunter Bear]

HUNTER GRAY [HUNTER BEAR/JOHN R SALTER JR] Mi'kmaq /St. Francis
Abenaki/St. Regis Mohawk
Protected by Na´shdo´i´ba´i´
and Ohkwari'

Check out our Hunterbear website Directory http://hunterbear.org/directory.htm
[The site is dedicated to our one-half Bobcat, Cloudy Gray:
http://hunterbear.org/cloudy_gray.htm

For a good feel for some of the civil liberties challenges faced by an effective
organizer, see this cluster of four related pages:
http://hunterbear.org/a_bizarre__1979_fbi_smear_effort.htm

And see Hunter's Movement Life Interview:
http://hunterbear.org/HUNTER%20BEAR%20INTERVIEW%20CRMV.htm


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