[Marxism] (fwd) re: Left Wing Films
Les Schaffer
schaffer at optonline.net
Sun Jul 19 20:00:07 MDT 2009
[fwd from Ethan Young. Ethan, this came as html-only]
I can't resist... here are my posts to this thread on Mike Ely's list:
I’d like to call attention to some features that are often overlooked:
El Otro Francisco: a double dramatization, it begins as a film version
of Cuba’s classic anti-slavery romantic novel Francisco [their 'Uncle
Tom's Cabin'] in which an educated, cultured house slave is thrown in
with the ‘brutal,’ illiterate field slaves. In the film, the narrative
shifts in the middle to proclaim that the real story was in the fields,
the real protagonists the field slaves, and the real drama in the slave
revolt that ends the movie. Not socialist realism, but both socialist
and realist.
http://www.ejumpcut.org/archive/onlinessays/JC30folder/OtherFrancisco.html
The Killing Floor: The first feature by Bill Duke, an actor who has
gotten much work over the years–you’d recognize his face if not his
name. His historical dramas have explicit progressive-to-revolutionary
themes: A Rage in Harlem, Hoodlum, and especially Deacons for Defense
with Forrest Whittaker, the antidote to Mississippi Burning [which was
the most racist film since Birth of a Nation]. But The Killing Floor
[made for PBS] holds a special place: the story of an African American
meatcutter in Chicago who becomes a union organizer in 1919- the year of
a tidal wave of industrial organizing and, simultaneously, the racial
bloodbath that left the imprint of white supremacism on the city’s
working class to this day.
http://www.amazon.com/Killing-Floor-Alfre-Woodard/dp/B000ED12D2
American Revolution 2
An amazing documentary about Chicago in 1968: from the Democratic
Convention cop riot, to the reaction of residents of a south side
ghetto, to amazing footage of Black Panther Bobby Lee organizing poor
Appalachian whites on the north side against police brutality. Actually
a greater testimony to the leadership of Fred Hampton than the fine doc
The Murder of Fred Hampton, made a year later.
http://mike-gray.org/multimedia/american.htm
Kuhle Wampe oder Wem gehört die Welt?: A short film about Weimar Germany
in crisis. One Marxist scene, directed by Brecht, can be seen on
youtube: http://www.youtube.com/watch?v=iGz8hu9QKnM&feature=related.
Passengers on a train argue about the price of coffee, and red youth
intervene.
a few film masters who identified with the communist movement:
Jean Renoir
Bernardo Bertolucci
Luis Bunuel
Jules Dassin
Joris Ivens
Claude Chabrol
Gillo Pontecorvo
Eloy de la Iglesia
Francesco Rosi
Joseph Losey
Pier Paulo Pasolini
***
Robert Henlein’s Starship Troopers, another goose-stepping sci-fi
agitprop novel, was turned into the most bitter [and hilarious] satire
of US militarism [and, less overtly, imperialism] since Strangelove, in
Paul Verhoeven’s popular feature.
Verhoeven’s films are usually brutal satires of American culture
disguised as exploitation flicks [which allows them to reach broader
audiences who may or may not get the irony, but it brings in the bucks...]
Total Recall and Showgirls. See them sometime when you feel like
shooting your tv.
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