[Marxism] A letter from the director of "The Camden 28"
Louis Proyect
lnp3 at panix.com
Tue Jul 24 08:45:47 MDT 2007
July 23, 2007
A Letter from the Filmmaker
The Camden 28 Opens July 27 at NY's Cinema Village
Dear Friends:
In August of 1971, the FBI arrested a group of anti-war protesters
involved in a break in at a draft board office in Camden, New Jersey.
The group's aim was to stop soldiers from going to Vietnam by destroying
the draft files that compelled them to serve in the armed forces.
Apprehended on site in a clearly planned sting, the protesters included
four Catholic priests, a Lutheran minister, and 23 others. The men and
women arrested that summer called themselves "America's conscience." The
government called them the Camden 28. What followed their arrest was an
extraordinary, unorthodox trial that became a showcase for America's
growing anti-war sentiment.
In light of current debates over civil liberties and the questionable
use of war as a means to promote democracy, the experiences of the
Camden 28 provides an excellent springboard for dialogue and action.
This film, while grounded in the history of the Vietnam War, is a must
see for anyone concerned about the war in Iraq today, how we got into it
and what it might take to get us out of it. Viewers will be confronted
with questions about the responsibilities of citizens in a democracy,
the effectiveness of protest, government infiltration of dissident
groups, the morality of war and what religious beliefs demands of adherents.
The film also highlights what was then called the "Catholic Left," in
contrast to most commentary about religious politics today, which paints
Christians – Catholics included – as uniformly conservative. When you
look at members of the Camden 28, it's hard not to make the connection
to today's so-called "Religious Right," whose adherents claim to have a
monopoly on the teachings of Jesus. But I had always been taught that
Jesus instructed his followers to "put away the sword, for he who lives
by the sword shall die by the sword." As the film demonstrates, the
actions of the Camden 28 were motivated by their deep commitment to the
Gospels, and as I see it, basically was their answer to the recently
marketed phrase, "What Would Jesus Do?"
Now is a critical time for the film. If it has a strong opening weekend
in New York, it has a good chance of being booked in theatres across the
country. And a wider release means more people will come in contact with
the Camden 28's relevant message for America today. We need your help
in making sure that the word gets out about the film. First Run
Features can help you by providing you with flyers, posters and even
copies of this letter.
Members of the Camden 28 and I will be at the theater on opening weekend
and some of the following screenings. I encourage you to come to see the
film and talk with us afterwards. And be sure to tell your friends.
Best,
Anthony Giacchino
The Camden 28 on the Web: http://firstrunfeatures.com/camden_synopsis.html
Cinema Village on the Web: http://www.cinemavillage.com
“However galvanic the present seems for moviemakers, history brings out
the best in documentaries . . . So it's easy to be seduced by Anthony
Giacchino's The Camden 28..For aging rads, it's something of a gift; for
the under-30 conscientious, it could be an inspiration.” -The Village Voice
“The unspoken parallels between Iraq and Vietnam and the antiwar
movements then and now are illustrated by The Camden 28, a poignant
documentary recalling the all-but-forgotten trial of 28 Vietnam War
opponents, mostly members of the Catholic Left, who were prosecuted for
breaking into a draft board office in August 1971.” -Stephen Holden,
The New York Times
“As relevant now as ever. …an engaging, engrossing tale.” -Film Threat
“If protest seems futile, The Camden 28 shows how it can be
done…Stirring, surprising, full of twists and turns, betrayals and
redemption.” -Anthony Kaufman, San Francisco Film Society
“A story of resistance, friendship, and betrayal played out against the
backdrop of one of the most turbulent periods in recent American
history.” -Human Rights Watch Film Festival
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